30 Nonsensical Scientific Illustrations Of Wildlife By Tim Andraka

During my time in school, I was a student of Biology; nevertheless, I ultimately made the decision to not continue my education in that field. At the same time as it gives me an outlet for my creative side, the artwork gives me a tiny connection to the wildlife that I am interested in. The works of classic ecology books, such as those written by Albertus Seba and Patterson Field guides, are a significant source of inspiration for me. A further source of motivation for me is the Victorian cabinets of curiosity culture. The Codex Seraphinianus and other works within the surrealist movement provide a significant source of inspiration that is not derived from genuine animals. When it comes to the natural world, I find it enjoyable to come up with fictitious solutions and explanations.

When we saw Tim's artwork, we were intrigued to know how he manages to strike a balance between the aspects of realism and fantasy. In his explanation, he stated, "I am of the opinion that the medium is a significant contributor to the elements of realism." The pen and ink work is present throughout the entirety of the scientific image, and the presentation lends itself to being factual. Through the use of this crutch, I am able to make anything ludicrous while still maintaining a degree of credibility.

It is via the sharing of his illustrations that Tim has amassed more than 142 thousand followers on Instagram. To find out what kind of emotion or response the artist wishes to elicit from viewers, we asked him to share his thoughts with us.

When I sit down to draw, I am typically looking for something that appeals to my sense of humor or something I find peculiar. In every instance in which I attempt to forecast a particular response to a drawing, I prove to be absolutely incorrect. Once a piece of creative work is made available to the public, the artist is no longer responsible for determining its meaning. There are occasions when people offer suggestions that are significantly more perceptive than the initial notion. When it comes to animal behavior or anatomy, I frequently receive corrections. "In the end, I feel an incredible sense of privilege that people care enough to express any feelings they have about the artwork," Tim wrote.

We also requested Tim to take us on a journey through his creative process, beginning with the idea and ending with the finished product.

"Depending on how creative I am feeling during that specific week, the first phase of the process can take anywhere from a few minutes to a few days to complete. In most cases, when I am trying to think of a concept, I will concentrate on a certain species and sketch a variety of shapes until I come up with something that is both odd and plausible. Next, I write it down on a piece of paper using ink. In order to complete the task, I transfer the completed drawing into Photoshop and then add some color to it," Tim responded.

When it comes to wildlife art, Tim expressed his thoughts on what he considers to be the most successful combination of reality and fantasy.

"The fact that it is believable is, in my opinion, the most crucial aspect. It is necessary to demonstrate your work, as a math instructor would say. It is necessary for me to demonstrate in detail how the caterpillar transforms into a butterfly. When it comes to presenting each notion, the stages that occur in between should be considered the most crucial. On the other hand, there are occasions when the absence of explanation is the most conducive to the delivery.

Last but not least, the artist gave the following advice: "Try to make time for what you enjoy and call your mother."