During our conversation, we were curious about the creative process that Svetlana goes through in order to replicate the paintings herself. In her presentation, she discussed the process by which she chooses which works to reinterpret, as well as the techniques required in digitally introducing cats.
Painting, photography, and computer art are all elements that are incorporated into the experimental art project known as Fat Cat Art.
I make use of photographs of Zarathustra the cat as well as scans of great paintings. I was able to take photographs with Zarathustra the cat with the assistance of a group of friends who are also experienced artists. When the cat wanted to pose, I took pictures of him every day. He loved posing, acting out different parts, and chatting. I also shot pictures of him every day.
At this point, Tyger Blake the cat is following in the footsteps of his illustrious founder.
In Photoshop, the images that make up FatCatArt are made.
Over twenty thousand photographs of my kitties are stored on my own computer. I carefully include the cat into the digital image of a well-known painting using photoshop. It is a problem since he needs to be able to fit precisely into a masterpiece, both in terms of posture and expression, and it can take several months prior to getting the perfect photograph. I print my works and then paint them, imitating the style of the great masters, in order to make the picture of the cat appear to be extremely natural in well-known masterpieces.
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